I think more convenient and user friendly is a bit of a stretch.
My wife gets confused by the remote and different profiles. My parents needed me to explain how to use Netflix more than once. Saying going to your PC and finding a torrent is convenient and user friendly isn’t true. But the point that having to search where to stream a particular movie or show isn’t user friendly is also true.
This is a lousy article rehashing an article behind a paywall.
The cost they have is $87 a month. There is so much that’s confusing about this. They don’t specify how many streaming services they are counting in that, but it’s a good guess that is about 5, each at about $17 a month. I feel I have too many streaming services and share accounts with family, and I can stream from about 7, pay for one and watch 1.5. If I couldn’t share accounts, I wouldn’t have the accounts. I pretty much watch star trek and whatever show someone tells me to watch.
They also don’t specify what $87 a month gets you in cable. Around me that’s about basic cable prices, which is significantly less content presented in a less convenient format and is almost entirely reruns filled to brim with commercials.
Not only is the article missing key information it also misrepresents the information it has.
Note: I’m sure people will tell me to pirate everything, but there are reasons to not pirate. And it doesn’t address that this is a poorly written article giving incomplete and incorrect information.
Sure, but why?
What is gained by a holo-display in your hand? It looks futuristic? If you wanted the experience of talking to someone face to face, why would they be a 6 in version projected into your hand? Why not face to face?
It’s solving a problem that doesn’t even need to exist. Hologram stuff is poorly thought out in media.
Worse than that, when they are talking on a hologram phone the speaker is always looking down at the hologram and the hologram is looking up at the speaker. On both ends. If it was a hologram of the speaker they would be looking down.
It is!
Most companies make BS solutions for fake problems. Not going to the office exposes a large chunk of fake needs.
Do families really need two cars? If you aren’t commuting every day, probably not.
Having more free time means people are more likely to cook and clean for themselves. Can’t make money off of that.
How many suits do you need to own? None! You only owned them because you are supposed to wear them in the office.
Dry cleaners? No longer a bill.
Gas? When you aren’t sitting in your cities parking lot of a freeway isn’t bought as often.
Speaking of parking lots, you aren’t paying for parking anymore.
Daycare and dog walkers aren’t needed anymore.
Going up work is expensive and companies want us addicted to these fake expenses.
I was surprised by how good season one was. Season two was great fun. I hated season three.
I feel they tried too hard to make serious points and failed at telling good stories. They wanted to have big thoughts, but just weren’t entertaining.
This is a long shot, but years ago uploaders would make art pages as signatures at the start of the comic. Is there any place where these are saved?
Memory called empire was good, as was ancillary justice.
I’m currently on ancillary sword and loving it.
I think these are good recommendations, just not for OP.
My wife and I just ran through the whole murderbot series. They are such a fun read. I’m convinced that the author plays/has played a ton of Shadowrun.
I love that book.
The reading of the book becomes part of the experience of the book in a way that feels unique and engaging. If you like the format being part of the story I have to recommend S by Doug Dorst and JJ Abrams and to a lesser extent the Cheese Monkeys by Chip Kidd.
You seem to like character driven stories with fantastical elements. The stories you list I put in the category of “weird shit happens to people” which is distinct from space operas and world building, which is most of sci-fi.
You might want to look at the nightside books by Simon Green, for pulpy action mysteries in a fantastical London. American Gods by Neil Gamain for a world just beyond our sight. Or maybe even Horrorstöre by Grady Hendrix for a haunted IKEA.
A surprising amount went wrong.
While there are a sea of complaints, the biggest for me was that all of the characters stopped having internal logic. Take Jamie, he had a character arc moving from a vain knight avoiding responsibility and having an incestuous relationship with his sister, to having depth, showing that he was wracked with guilt for breaking his oath to help people. Falling in love with a woman for her character and who she was. Being responsible and honorable again. Then the last season came around and he dropped all of his growth to be with his sister.
It’s like D&D decided that there would be a cool scene of him dieing with Cersi and didn’t care how he got there.
He said it was blown out of proportion, don’t put words in his mouth.
There were literal TV spots on whether or not planes will drop from the sky. The threat was overblown.
Lots of people did tons of work to keep systems online, but even if they all failed the end results wouldn’t have been that bad. Money would be lost, but loss of life due to Y2K would be exceedingly rare.